How did Manolo Sanlúcar die? Guitarist Cause of death Revealed

Manolo Sanlúcar Cause of Death

Manolo Sanlúcar was a Spanish flamenco composer and guitarist who passed away at age 78. Let’s see how did he die, what happened, and what was Manolo Sanlúcar Cause of Death.

How did Manolo Sanlúcar die?

Manolo Sanlcar, a guitarist and composer who passed away on Saturday in Jerez de la Frontera (Cádiz), devoted 70 of his 78 years to Salt Flemish, where he set the standard and defined an era alongside other avant-garde musicians like Paco de Lucia, Serranito, and Tomatito.

According to the sources from his hometown’s Town Hall, Sanlcar de Barrameda, verified to the news agency EFE.

 

Manolo Sanlúcar Cause of Death

His work was so well-known that Juanma Suárez’s documentary “Manolo Sanlucar: The Legacy” was released in November 2019. He received eight nominations for the Goya 2020, and the Andalusian Studies Center presented him with the Imaginera 2019 as part of the Seville Film Festival. Sanlcar enthusiastically attended its premiere.

At the age of 77, in August 2021, he was hospitalised in Jerez (Cádiz) for a multi-organ failure after having a fainting spell at his Sanlcar home and just hours after his wife, Ana, had been treated there for a stroke, which had no lasting effects.

On September 2, he was discharged. When he was 31 years old, the couple lost their single child. The III International Flamenco Guitar Festival of Jerez had to be postponed to May 2022 due to a hospitalization in Sanlcar.

Medico topics have been trying to reach out to the family and relatives for comment on the incident. So far no responses have been received. We will update the page once enough information is available. More information on Manolo Sanlúcar cause of death will be added soon.

Who is Manolo Sanlúcar

Spanish flamenco musician and songwriter Manolo Sanlcar. Along with Paco de Luca, Tomatito, and Vicente Amigo, he was regarded as one of the most significant Spanish composers of recent times and a key player in the development of the flamenco guitar.

Sanlcar learned from his father, Isidro Sanlcar, an old-style guitarist and baker who frequently brought home musicians and cantadores; from an early age, he was especially excellent at imitating him. Isidro was one of his brothers who made the same decision.

 

Manolo Sanlúcar Career

A recipient of the National Music Award, his career featured popular symphonic compositions, an opera, and iconic works for the National Ballet, such as “Medea,” or for the Antonio Saura film “Sevillanas.” He was born on November 21, 1943, in Sanlcar de Barrameda (Cádiz). At the age of seven, he and his father and Javier Molina taught him how to play the guitar. From the age of 13, he accompanied singers of different genres.

The creative godmother of The Girl with the Comb and other legendary flamenco performers like Pepe Pinto and Pepe Marchena were among the first to take an interest in his work.

She later appeared with Manolo el Malagueo’s company, where she met La Paquera de Jerez, who she later collaborated on artistic projects with for a short period of time while touring Spain and appearing at the Las Brujas tablao in Madrid.

 

The founder of Sanlcar’s Popular Socialist Party

He made his Ateneo de Madrid debut in 1972 after recording “Flemish Recital” in 1968. He had already completed the trilogy “World and Form of the Flamenco Guitar” by this point. He started the Popular Socialist Party of Sanlucar in the 1970s, which ultimately joined the PSOE. After leaving politics, he returned to music full-time.

He gave a series of recitals at the Centro Cultural de la Villa de Madrid in December 1979, and then in 1981 he performed at the Teatro Real for a charitable event hosted by Queen Sofia.

 

Bullfighting

Among his more than twenty CDs, he released “bullfighting” in 1988. It was a flamenco-national festival union example and was devoted to ten people involved in the bullfighting industry.

He co-wrote, acted, directed, and produced the first Andalusian opera, “Evangelio Gitano,” in 1981 along with Roco Jurado and Juan Pea Lebrijano. His numerous appearances include those at the Carnegie Hall Theater in New York in 1990 and the well-received Japanese premiere of the symphonic composition “Aljibe” (1992).

 

II International Flamenco Festival of Paris

In 2006, he took part in the II International Flamenco Festival of Paris. Two years later, he performed “La voz del colour” at the National Music Auditorium with the Córdoba Symphony Orchestra, paying homage to the Sevillian painter Ressendi’s pictorial work with percussion and choirs.

One of the founders of the new flamenco movement, his most well-known works are “Medea,” written for the National Ballet and later modified for guitar, as well as “Locura de briso y trino,” a 1998 tribute to Federico Garcia Lorca.

Music for Monument

An outstanding example is the orchestral composition “Music for Eight Monuments,” which the guitarist completed after spending eighteen years on it and was commissioned by the Junta de Andaluca in 1991.

He made his long-awaited comeback to the Madrid stage in 2010 when he launched the Suma Flamenca Festival at the Teatros del Canal. With a style that has travelled to more than 50 nations, Manolo Sanlcar also composed the music for Alberti’s poem “La Gallarda” (1992) and served as the film’s musical director for the 1992 release “Sevillanas.”

He collaborated with Carlos Saura again on the films “Iberian” (2005) and “Flamingo, Flamingo” (2009). Another piece of particular note was Mariana Pineda (2003), which he wrote for the bailaor Sara Baras and which helped her succeed professionally.

 

Has he left the stage before he finished?

He has belonged to the Royal Provincial Academy of Fine Arts of Cadiz since 1997. Additionally, he committed himself to teaching, lamented the lack of a conservatory for flamenco, and argued for the necessity of “controlled and protected” instruction.

He first released “The Flamenco Guitar: Theories and Systems” in 2005. The autobiography “Manolo Sanlcar: The Shared Soul” was then released in 2008. Unexpectedly, he declared in July 2013 that the stages of the grotto’s Nerja Cave International Music and Dance Festival would no longer be used.

She said that she intended to devote herself to producing an audiovisual encyclopaedia on flamenco, which would be released in November 2021 under the title “The Flamenco Guitar, Manolo Sanlcar.”

Tribute to Manolo Sanlúcar

Montsi said,

The world of Flamenco is once again in mourning, “Manolo Sanlúcar” guitar master and composer of flamenco music, has passed away today in Jerez.  Rest in peace.

Heike Matthiesen said,

I heard him playing in Cordoba maaaaaany years ago…. What a musician and kind person. RIP Manolo Sanlucar

Juan Luis said,

I just learned that Manolo Sanlúcar has passed away, a genius of flamenco, guitar, music and creation who has left us an extensive body of work as an inheritance and proof of his greatness. Any music lover should have “Tauromagia” at home, his great work

Jose Miguel Morales Asencio said,

Another of the great masters of flamenco guitar has left us. Manolo Sanlúcar, the most rigorous and committed guitarist of all time. How many notes and arpeggios we owe you!
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Nick Mazzocca
2 months ago

He admired Gods creation:the black Stallion horse- which showed in the dueno of his guitar- an artist of such great dimension

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