Film director Jean-Luc Godard has died at the age of 91. He was one of the founders of the New Wave film movement. Let’s see how he died and Jean-Luc Godard cause of death in detail
How did Jean-Luc Godard die?
“Breathless”. According to information from our colleagues at Liberation released on Tuesday, September 13, Jean-Luc Godard died at the age of 91.
The Franco-Swiss director was particularly known for his films “Le contempt”, “Breathless” or even “Pierrot le Fou”.
Jean-Luc Godard began his career as a film critic in the 1950s while practicing short films before making his first feature film in 1959 with “A bout de souffle”, within the skin of the main character, actor Jean-Paul Belmondo.
Jean-Luc Godard cause of death
A legend of French cinema has passed away of natural cause. This Tuesday, September 13, Jean-Luc Godard died at the age of 91, as announced by his family. Yet no official information on Jean-Luc Godard cause of death was revealed. The Franco-Swiss filmmaker leaves behind a career strewn with masterpieces that have marked many generations.
Before becoming this renowned director, Jean-Luc Godard took his first steps in cinema as a film critic, as did his acolytes Claude Chabrol and François Truffaut. But once behind the cameras, the filmmaker revolutionized the world of the Seventh Art.
Medico topics have been trying to reach out to the family and relatives for comment on the incident. So far no responses have been received. We will update the page once enough information on Jean-Luc Godard exact cause of death is available. More information on Jean-Luc Godard Cause of Death will be added soon.
Jean-Luc Godard: Who is he?
Jean-Luc Godard is a French-Swiss film director, screenwriter, and film editor whose career spans over sixty years. He has directed, written, produced, and edited many films. The following attempts to be a comprehensive filmography.
Early life and career
Godard spent his formative years running his father’s clinic on the Swiss side of Lake Geneva. His academic education consisted of coursework for an ethnology degree at the University of Paris, endless talks in student cafes, and laboring on a dam, which served as the basis for his debut short film, Opération Béton (1954; Operation Concrete).
His interest in ethnology ties into the anthropological Jean Rouch’s influence on his work as the first practitioner. And theoretician of the documentary-like film style cinéma vérité (also known as “cinema truth”).
The concept and motifs of the picture only become apparent during filming or even later, during the editing process, thanks to the filmmakers of this school’s use of little television equipment to view their subject with maximum informality and total objectivity.
Awards and later work by Jean-Luc Godard
A story about three young Swiss individuals and their struggles with work and love, Sauve qui peut (la vie) (Every Man for Himself) marked Godard’s return to successful narrative feature filmmaking in 1979. He worked on film projects in his own country, California, and Mozambique in the 1980s.
His “trilogy of the sublime,” which consisted of three films—Passion (1982), Prénom Carmen (1983; First Name: Carmen), and the hotly contested Je vous salue, Marie (1985; Hail Mary)—served as personal statements on femininity, nature, and Christianity, is considered to be his most significant work of the decade.
Multi-part television documentary
Godard focused on the multi-part television documentary Histoire(s) du cinéma, which gave his iconoclastic views on the first 100 years of motion picture history, rather than directing many feature films in the 1990s. With its severe criticism of Hollywood filmmaking, Éloge de l’amour (2001; In Praise of Love), a narrative movie that looked at the nature of love and life in movies, caused controversy.
Adieu au language (2014; Goodbye to Language), a fragmented story about a man, a woman, and a dog, was shot in 3-D. Later films included Notre musique (2004; “Our Music”), a meditation on war; the experimental collage Film socialism (2010; Film Socialism); and Adieu au language (2014; Goodbye to Language). Le Livre d’image (2018; The Image Book) is a cinematic essay that combines a montage of movie stills, images, and videos from World War II. Godard provides commentary throughout the piece. Godard received various honors, including honorary Césars (1987 and 1998), the Premium Imperiale for theatre/film from the Japan Art Association (2002), and an honorary Academy Award (2010).
Jean-Luc Godard: a filmmaker in search of renewal
Success was still there, after the consecration of his film Alphaville at the Berlin Film Festival in 1965, Jean-Luc Godard decided to turn to more committed and political feature films.
According to him, cinema is a way to fight against the system. A turning point, inspired by the nervousness of May 1968, slowed down in mid-flight after Jean-Luc Godard was the victim of a motorcycle accident in 1971.
If he was away from film sets for a while, the director quickly returned to his first love. In the 1980s, he made his big comeback behind the camera.
By bringing in “cinematographic modernity”, Jean-Luc Godard becomes one of the most coveted filmmakers.
Great actors have often elbowed their way to shoot in front of the camera, like Nathalie Baye and Jacques Dutronc in Sauve qui peut la vie or Gérard Depardieu in Hélas pour moi .
In the following decade, Godard made several experimental films including Histoire(s) du cinema. Since the 2000s, the producer had been much more discreet in front of the stage. However, his work has continued to impress and be rewarded.
After winning the Jury Prize at Cannes for the film Farewell to Language released in 2014, he received the special Palme d’Or for The Image Book released in 2018.
Throughout his career, Jean-Luc Godard s has established himself as one of the most original filmmakers concerned with breaking the codes of cinema.
In half a century, the director has written a chapter in the history of the Seventh Art. If he leaves many moviegoers orphans, Jean-Luc Godard also leaves behind his last wife, actress, and director Anne-Marie Miéville.
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Lavanya (Senior Editor) is a full-time content writer with almost 5 years of experience and a part-time teacher. She joined Medico Topics on the Breaking News trainee scheme in 2022 and now works on MedicoTopics.com. As a lifelong learner, She is constantly curious about learning new things and passionate about sharing knowledge with people through her writing and teaching.
*Le* Contempt? Really? Disgraceful.